CONCEPTS x New Balance

The CNCPTS x New Balance 1000 ‘Míle’ raffle will launch on Wednesday, March 12 at 12pm EST. Winners can collect their sneakers at CNCPTS locations in Boston, New York, and Miami on Friday, March 14 at 11am EST. Additionally, pairs will be available on a first-come, first-served basis on cncpts.com starting at 11am EST on March 14. Good luck!

Concepts have been upping the game when it comes to their New Balance colabs this year, with their recent NB740 effort evoking the feeling of living the high life thanks to the champagne-influenced ‘Saignee’ and ‘Brut’. Their next project is equally luxe, although this time the pair wears its influence on its tux sleeve, as the NB1000 colourways are pure money.

Leaked within a moodboard carousel stacked with references to cold hard cash, the resulting NBs are as crispy as a $100 bill. While names are yet to be revealed, the first CNCPTS x NB1000 iteration sports a layered make-up of dark green, white and sage panels, while a second pair below forgoes the sage tones for more white and replaces the dark green toe box with a black variation. There are also two predominantly white pairs – one looks to feature a white leather upper with green accents, while the other features a white mesh base with green panelling up top. Each pair then boasts a red ‘1000’ logo at the forefoot, as well as additional co-branded logos on the tongue.

So far, it’s yet to be revealed as to which pairs will be samples or Friends and Family exclusives, so until then make sure to stay locked for more info as it comes in!

New World Coming

A Juried Exhibition from Violence Transformed Celebrating Recent Ancestor Bernice Reagon Johnson of Sweet Honey in the Rock

February 15 - March 2, 2025

There’s a new day comin’, everything’s gon’ be turning over, Everything’s gon’ be turning over, where you gon’ be standing when it comes?”

-Bernice Johnson Reagon (October 4, 1942 – July 16, 2024)

Violence Transformed invites viewers to “New World Coming,” a juried multi-media arts exhibit uplifting the words, sounds and spirit of Bernice Johnson Reagon. The exhibit focuses on the art and activism of socially engaged artists in and beyond Boston. We are living in times where art allows us to heal but also enters into critical conversations that allows all facets of our community to be seen. Bernice Johnson Reagon led us with her voice for nearly half a century, speaking and singing out for freedom and justice. The words to her song, “New World Coming,” feel like a premonition for the moment we are in as a people.

Violence Transformed is an annual series of visual and performing arts events that celebrate the power of art, artists and art-making to confront, challenge and mediate violence. Violence Transformed events include visual arts exhibits and music, dance and theatrical performances hosted by multiple venues in Boston and beyond. Since 2015, Violence Transformed events have also included artist-led workshops for health care providers and provider-led, trauma-informed workshops for artists and activists working with individuals, families and communities impacted by violence and the risk of violence.

Based primarily in the central and surrounding neighborhoods of Greater Boston, and drawing upon the creative energies of artists throughout New England, Violence Transformed documents the ways in which our diverse communities harness art’s potential to effect social change and materially transform our environments. Violence Transformed represents a vibrant collaboration among artists, activists, museum professionals, academics, and community service providers from diverse segments of the greater Boston area. Our work is made possible by the tremendous volunteer energy and creative gifts of our participants, by grant-funding for many of our workshop initiatives and, primarily, by donations from those who support our mission.

INFLUENCER SERIES

TODD SNYDER’s INFLUENCER SERIES

Join me at Todd Snyder Boston for the "Thursday Influencer Series" featuring
HERV JEANBAPTISTE (CREATIVE CONSULTANT & TASTEMAKER)
speaking about his pick on the first drop of Todd Snyder's Fall '24 collection.
Enjoy live music, specialty cocktails, and a Q&A session.

When: Thursday, 8/8/24
Time: 5:30 pm - 8:00 pm
Where: Todd Snyder Seaport, 70 Pier 4 BLVD.

Looking forward to seeing you there!

TODD SNYDER x WOODY ROCKWELLL x SUCCESS IS MY COLOGNE

ART FUTURES

2023 STEPHEN D. PAINE SCHOLARSHIP RECIPIENTS
JURIED BY KATE GILBERT (EXECUTIVE DIRECTOR OF
NOW + THERE

Established in 1999 by the Boston Art Dealers Association (BADA),https://www.bostonart.com/ the Stephen D. Paine Scholarship is designed to support students who are entering their final year in studio art programs at colleges in the city of Boston. The scholarship is established in memory of Stephen D. Paine. Stephen was passionate about the visual arts and dedicated to supporting arts education through his involvement with numerous Boston-area institutions. Stephen was a friend and ally to artists, students and art professionals.

Exhibiting Artists:

·      Julie Francois - School of the Museum of Fine Arts at Tufts University

·      Fallon Lavertue – Massachusetts College of Art and Design

·      Guadalupe Najar - School of the Museum of Fine Arts at Tufts University

·      Carter Powers - School of the Museum of Fine Arts at Tufts University

·      Keith Truong - School of the Museum of Fine Arts at Tufts University

·      Leon Vicaire - Massachusetts College of Art and Design

Carter Powers

FIRE IN THE BASEMENT

FIRE IN THE BASEMENT brings together thirty-three artists from the Artist Studio Building at The Boston Center for the Arts, located at 551 Tremont Street. Curated by Piano Craft Gallery director and BCA studio artist, Rebecca Greene, this exhibition provides a snapshot into the variety of art created throughout the studio building. We are coming together as a group to celebrate the life of Chick Byrne, a renowned painter and treasured friend to us all. His impact on our community is immeasurable and his spirit continues to live on through those fortunate to have known him.

Exhibition Dates: March 8-24, 2024

Opening Reception: Friday March 8, 2024 6-9PM

“Still Not Dead Yet,” Performance Night: Friday March 15, 2024 6-10PM CANCELLED

Closing Reception and Artist Talk: Sunday March 24, 2024 3-5PM

Gallery Hours: Fridays 6-8PM, Saturdays 12-5PM, Sundays 12-5PM

Hip Hop: Born in the Bronx, Gift to the World

Hip Hop: Born in the Bronx, Gift to the World
Artists Daniel Laurent and Premo Dee in conversation with Jamaal Bonnette and Fredericka King about the influence of early hip hop on their music and the legacy of this art form. Each artist will perform a short set.


Artist/ Filmmaker/ Creative/ Community Advocate - Daniel Laurent is a recording artist, writer, impulse speaker and small business owner that centers around intentionality and increasing the Black dollar in the community from 6 hours to 7 days. He recently wrote, starred and funded a short film entitled "Cry for Me" which centers around domestic violence and sexual abuse. His goal is to use his male voice to amplify the awareness and fight against and stand in solidarity with survivors and also make intentional actions to course correct to reduce the amount of new victims being created. Daniel Laurent's daily mantra as well as Black Dollar's tagline is "Intentionality is the Only Option"

Raised between Brockton,Ma and Gwinnett County,GA, Boston based Premo.Dee is an explorer!! The excitement of the cultural leaps and bounds taken during the blog area, and the early introduction of internet culture left the door wide open for him to pursue interests in both music and fashion. Self expression wasn’t always the easiest thing for him. He still always found a way, adapting to change from an early age. Telling the story of a young black man, raised by a single parent mother, coming face to face with the world in order to voice the most important opinion of himself. He has goals of cementing his name amongst the stylistic greats of music, as well as pushing the boundaries of creative expression further everyday.

Jamaal Bonnette is an artist out of Brockton, Mass. Also known as Barry, Jamaal has been painting and displaying his work since its early inception in 2014. Barry has displayed his work in galleries across Boston, particularly at the Piano Craft Gallery for a month long interactive exhibit (2019). The Stacey Adams Cultural Building also housed and displayed Jamaal’s work for a month long multi-artist exhibit (2019). Also being housed in buildings such as The Liquid Art House (2017) and Savvor Night Club in Boston, Jamaal has also teamed up with the Culture Collection of CT, to displaying his art in Hartford (2016). He was also spotlight artist for a week long installation at Canvas of Memphis in Memphis TN (2018). Lastly he’s regularly in Rhode Island as part of Bond Brotherhood annual Art Show.

Friday October 6, 2023 7PM - PIANO CRAFT GALLERY - 793 TREMONT ST.

WHAT HIP-HOP MEANS TO ME

IBRAHIM ALI-SALAAM

“TAKING, MAKING, MOVING, SHAPING”
WHAT HIP HOP MEANS TO ME

Artist Statement:
“Get your face blown, might face the chrome, we take this more serious than just a poem” (Inspectah Deck on “Play for Keeps”) 

“Heads relax and play the back when I spill, regulate a flow like chicks on birth control pills” (Bahamadia "3 Tha Hard Way")

I always loved that feeling when you hear a dope verse or a line and want to rewind it back a few times. 

"Yo!…What did that MuthaF**** just say?!”
Is what comes out of my mouth when I experience these moments. 

Those lyrics that hit differently than others.

In my paintings it is those moments I am sharing with you.
That’s What Hip-Hop Means To ME!


KICK PUSH

Show Dates: October 13, 2023 - October 29, 2023

Opening Reception: October 13, 2023 6-8/9PM

Gallery Hours: Fridays 6-8PM, Saturdays 12-5PM, Sundays 12-5PM

From the outset of known visual art, humanity has been captivated by the task of representing the body. Though this instinct has been subverted in the last century as art has moved further and further into the realm of the abstract and conceptual, many artists continue to draw on the human form for inspiration. Few contemporary artists, however, have made the figure as focal as Ibrahim Ali-Salaam, whose poignant series of male nudes will be included in Beacon Gallery’s Mixed Messages exhibition, running from July 17th to August 30th. 

Raised in an academically driven family, Ali-Salaam was encouraged to continue his post-secondary education in art school.  Initially unsure of what medium to pursue, he eventually came to concentrate in oil painting and charcoal; mediums that continue to define his work today. Following his graduation from the School of the Museum of Fine Arts, Ali-Salaam decided to challenge himself and relocated to Cincinnati. 

Throughout his time living away from his hometown, he found himself resolutely drawn to depicting the body. Endlessly fascinated by its complexity and diversity, Ali-Salaam began painting nude self-portraits—first for reasons of accessibility, and later as a practice of introspection. In many of these works, Ali-Salaam’s arms reach out, bracing against invisible confines. At times forceful, at others resigned, these arms relay a keen sense of turmoil and subjugation, representing Ali-Salaam’s lived reality in a culture that tirelessly seeks to classify and categorize his identity.

In Mixed Messages, Ali-Salaam’s paintings work to complicate and counter the assumption that only women experience sexual assaults.  Giving voice to narratives often shut out and forgotten, his works add a vital new dimension to the storied tradition of the male nude.

Ibrahim Ali-Salaam’s oeuvre has been exhibited in galleries across the country and around the Boston area, where he lives and works today. He’s currently adding to an ongoing series of drawings and paintings focusing on disembodied hands in addition to frequent collaborations with his young son. To keep up with Ali-Salaam’s work, you can find him at his website https://ibi5000.wixsite.com/ibrahim or on Instagram @ibi5000.

‘PHILEO’ TOUR DATES

Sebastian Mikael Announces ‘Phileo Tour’ Dates

Sebastian Mikael has announced his headlining North American tour, dubbed the Phileo Tour.

“This is my first headline tour, I can’t wAit to create new memories w/y’all,” Mikael said in the announcement caption.

The eight-date tour kicks off March 15 at the legendary S.O.B’s in New York City and wraps on March 26 in Seattle, Washington at Nectar Lounge. 

Other major cities on Mikael’s tour itinerary include Washington, D.C., Atlanta, Los Angeles and more.

Mikael’s Phileo Tour tickets are on sale today (Jan. 20). No supporting act has been revealed at the time of publication.

His forthcoming tour comes behind his 2022 EP of the same title. Phileo was issued independently, following his pair of I C U U C ME (Pt. I and II) projects released on Slip-N-Slide Records/Atlantic Records.

“I choose to go independent because I feel like it’s a better fit for the music. I’ve never had full ownership before — this is my first time, so that’s exciting,” Mikael told Rated R&B.

Mikael titled his Phileo EP after the Greek term that defines brotherly love.

“I wanted to talk about having love for your people, sisterly or brotherly love, loving your peers, and loving the people around you. It’s mentioned in the Bible when Jesus and his disciples built this bond in brotherhood,” he explained.

He added, “I wanted to include the different aspects of love that feel more like the fundamentals and core of who we are and in a deeper sense. I wanted to kind of take love out of it — the romantic aspect — and talk about the misconceptions of love.”

The EP’s focus track, “Overgold,” arrived in September, and its official video came two months after. by ANTWANE FOLK January 20, 2023

Sebastian Mikael’s Phileo Tour 2023 Dates

Mar 15 –  New York, NY @ S.O.B’s NYC
Mar 16 – Washington, D.C. @ DC9 Nightclub
Mar 17 – Charlotte, NC @ The Underground
Mar 18 – Atlanta, GA @ The Loft
Mar 22 – Chicago, IL @ Schubas Tavern
Mar 23 – Los Angeles, CA @ Peppermint Club
Mar 24 – Oakland, CA @ New Parish
Mar 26 – Seattle, WA @ Nectar Lounge

SILK x SEBASTIAN MIKAEL x WOODY ROCKWELL

SILK: ALL R&B, ALL LOVE, ALL NIGHT: BOSTON'S PREMIER R&B PARTY
The once intimate, feel-good event has evolved into Boston's premier R&B party, attracting hundreds of guests each month and thousands each quarter to our larger R&B experience. Our goal is to turn what was once "just a party" to the largest celebration of R&B music in New England

PHILEO by SEBASTIAN MIKAEL

Sebastian Mikael on New EP ‘Phileo’
Interview by ANTWANE FOLK October 14, 2022 5:20 PM

The Swedish-Ethiopian singer returns with his first project in almost four years. It’s been nearly four years since Sebastian Mikael released a project. His last two efforts, I C U U C ME Pt. I and Pt. II were released on longtime label home Slip-N-Slide Records, in partnership with Atlantic Records. The former of the two imprints also distributed his 2014 debut album, Speechless.

Now, the emerging Swedish-Ethiopian singer has it all under control. He does have some assistance from his tight-knit team, one of which is his publicist, who goes dark on his Zoom call on a September afternoon. Mikael, dressed in a black graphic tee, has an exhausted but excited look. He describes his current feeling as “stressed,” but for a good reason. He is doggedly working toward raising his profile with Phileo, his new EP available now.

“Just trying to get a lot done kind of last minute with certain things,” Mikael tells Rated R&B, shrugging. “But it’s just a part of it. I can’t complain.” For Mikael, moving from a major label to a grassroots situation has perks. “I choose to go independent because I feel like it’s a better fit for the music. I’ve never had full ownership before — this is my first time, so that’s exciting.” But, of course, that’s the short-term effect. And the long term? The one thing many artists strive to achieve in their musical tenure: complete agency of their art.

Mikael breaks it down. “Let’s say somebody wanted to include your music in a show or a film, they would have to get it approved by you personally versus the label owning your master, and they only have to go to the label to get approval for whatever it is, even if they want to sample a song that I did. It’s also [about] being more in control of your art, the things that you put out and being able to kind of control it a little more,” he informs.

Even though Mikael is in independent bliss, his time signed to a label yielded rewards. His most recent was in spring 2021 when “Exit,” a standalone 2020 single, reached No. 13 on Billboard’s Adult R&B Airplay chart. Describing the success of the song, Mikael says, “It was awesome that people loved it and the song still being something that I’m like, ‘Wow. Such a personal record.’ We don’t hear songs talk about vulnerability and just being not okay. I feel like it was cool that people really related to it and felt a connection to it.”

On his latest body of work, Phileo, Mikael sounds as comfortable as ever, as evidenced by the noodling first single, “Overgold,” which was released in early September.

“It was something that I wanted to hear right now. I wanted to put it out, and it gave me a good feeling,” he says of releasing the mentioned song to precede his new EP.

As the EP’s title suggests, Phileo is known in the Greek language as having brotherly love. Besides finding an attraction to how the word looked and sounded, Mikael was adamant about that specific source of affection being the focal point of the new material. 

“I wanted to talk about having love for your people, sisterly or brotherly love, loving your peers, and loving the people around you,” he explains. “It’s mentioned in the Bible when Jesus and his disciples built this bond in brotherhood. I wanted to include the different aspects of love that feel more like the fundamentals and core of who we are and in a deeper sense. I wanted to kind of take love out of it — the romantic aspect — and talk about the misconceptions of love.” Conventional themes of love are present on Phileo, and will be in future music by Mikael he assures. However, he was intentional this time with the message he wanted to convey.

“It was more about getting out the thoughts I had in my head. I will talk to myself a lot about stuff (laughs), and I just used all of that and poured it into the music. It felt more of a relief for me to get that out,” he says. 

Mikael recorded most of the songs for Phileo and reproduced them this year by “using the vocals and creating new music around it.” He was more satisfied with the second round. “I feel like now it’s in a place where sonically, it represents what I’m on, just the feeling of it and [the] concept of it,” he adds. 

As part of the campaign for Phileo, Mikael teamed up with Tidal for a special Metaverse performance that is soon to be released. “It was filmed in 360°, so when you see the space we performed in, you can look around and see the whole room in full spectrum. That’s gonna be really cool.” Mikael also was a recent guest for COLORS, performing “Scene 1” (more on that later). 

With luck that fans enjoy Phileo, Mikael will take it out on the road. “I’m sure it’ll be some kind of tour. I’m waiting to see what happens when we drop [Phileo]. Once the music gets out, I think it’s gonna speak for itself. We’ll see what happens from there.” 

In Rated R&B’s interview with Sebastian Mikael, the singer-songwriter breaks down every song on his Phileo EP.

“Sky” feat. Pink Siifu
It’s a song about going through circumstances that we all go through [in] life. It don’t matter what obstacles you face or what you’re going through in life, but if you have real love in your life, for me, God is love. Having God in my life [and] having that trust, it don’t matter what you go through and the things you face, you’re gonna be fine. It’s just a part of it. If anything, it’s gonna strengthen you [and] build character. 

“Tubbs Krueger (Skit)” 
It’s like a cool little classic radio-type skit. It sounds like how radio used to be back in the day. My boy Tubbs Krueger was the one that did it. It’s just fun [and] just a vibe.

“Overgold” 
It’s a feel-good, fun record — something I just needed to have. It’s not really about anything specific. It’s feel-good music. 

OVERGOLD by SEBASTIAN MIKAEL

“Scene 1” 
If you’re in a relationship or single, but you’re out here doing your thing, it’s how women be teasing you on purpose, saying, “You’re acting up,” but you like it. It’s turning you on. So it’s kind of like that, but it’s also fun — just [a] vibey song. 

“Security Code”
It was like a [Usher] “Confessions” type song. I recently broke up with my girl in May. I wanted to kind of air out some things. It felt very heavy in the beginning. I was a little scared to put it out, but being single, I was like, “Might as well.” I definitely said some things I couldn’t say while we were together. I’ve never been the type of person to be super specific and mention that person’s name in the song.

Marvin Gaye did that, for example, back in the day — Drake did that too. It’s dope for the people listening to [it], but also for me, I’m like, “Man, I gotta protect my mental and also not offend this person too much.” I think it’s still tasteful. When you get to be creative, you channel everything in a different way and see something beautiful come to life. You turn something you went through that was heavy into something that’s inspirational [and] dope. 

“GOD is LoVE (Outro)” feat. Tubbs Krueger
I had so many thoughts and experiences I had been through, newfound knowledge that I had, and things like that I wanted to share and put out for the people. Out of everything that I’ve gone through, I think having a deeper spiritual connection [and] getting closer to God is how I kind of received more knowledge. [It] also came from reading, but most of it came from just experiencing things in life.

You go through it, see the light at the end of the tunnel, and look back like, “Wow.” It’s like things that happened you just know couldn’t have been anything but God. That’s why love is, to me, the foundation. It’s the reason. So I wanted to talk about that. 




PLAYING WITH FIRE by KINI

WOODY ROCKWELL PRESENT…. PLAYING WITH FIRE

HUMAN TORCH ® KINI 2022

PLAYING WITH FIRE: JULY 8th - JULY 31st
Fire is, to me, a fitting metaphor for this thing we call life. Fire is wild; fire is beautiful; fire can both create and destroy in the same instance. I also believe passion is the human body’s way of mirroring fire in the natural world. There are limitless possibilities that stem from a human soul on fire. What we can and cannot do is ultimately in our own hands. How passionate are we? How does our perception of life and ourselves impact our world? The way we look at things can ultimately be our guide or be the catalyst for our own destruction. This series of paintings uses fire as a motif, reflecting the strong emotions we endure as human beings. Over recent years, a fiery rage has been growing in my heart, waiting to eradicate anything keeping me from experiencing my love for life and all it has to offer. I believe all old paradigms and abusive systems will eventually go up in smoke, but the fire never truly stops burning. - KINI


PIANO CRAFT GALLERY
793 TREMONT STREET
BOSTON MA, 02118
FRI 6p - 9pm • SAT 12p - 5pm • SUN 12pm -5pm


THIS EVENT IS SPONSORED & POWERED BY
BENT WATER BREWING CO • CRAV INDUSTRIES • KALIKO PRODUCTIONS
AFRODESIACOTY • SAVVOR LOUNGE & RESTAURANT • HAITIANS OF BOSTON • NICOLE’S PIZZA

 
 

LOUIS VUITTON'S SS22 MEN'S COLLECTION

Louis Vuitton Men's Spring/Summer 2022. Paris, France

VIRGIL DIDN'T HAVE TO GO THIS HARD ON LOUIS VUITTON'S SS22 MEN'S COLLECTION

We have samurais, ravers, RUN DMC-esque tracksuits, new Nikes, petticoats, Black Panther references, shredded skater-boy jeans, luggage — everything but the kitchen sink. This is Virgil Abloh having fun, this is Virgil Abloh at his best.

This season, Abloh embraced the meaning of dressing as the purest form of costumery, delving headfirst into the polarity of subcultures and their archetypes. To fully express the full breadth of this journey — which this collection truly is –— Louis Vuitton's artistic director of menswear presented a short film along with the runway, titled Amen Break and starring the likes of RZA, GZA, Saul Williams, and Lupe Fiasco.

The film zooms in on the cultural context of these varying subcultures and recontextualizes them in the most Virgil way where references are sampled and resampled. For example, the masculine world of sports fanaticism and its emblematic jerseys meets the world of gender-bending masculinity when the look is completed with a billowing skirt. Then, a B-boy stumbles into the realm of formalwear when a '90s reminiscent, boxy tracksuit is paired with a top hat. EDITORS

Per Louis Vuitton, in this way, "Amen Break becomes a metaphor for the myth of ownership in contemporary creativity," a theme that is right up Virgil Abloh's alley on the intersection of streetwear and luxury.

The collection is also punctuated by a rather lackluster new Louis Vuitton x Nike Air Force 1, whose unmerited hype detracted from the collection's power more than it contributed. But LV easily made up for that disappointment with a rainbow range of luggage and accessories that relied equally on atelier classic and super-modern style cues.

Overall, the collection, and accompanying film, were sublime. And in the end — much like I think Virgil intended — this is a collection for you and whichever version of yourself you choose to present.

Despite a truly spectacular outerwear offering, this jacket stood out for all the right reasons. A boxy leather jacket in venomous green that fades into yellow, the piece features a rave stick-figure across the front. It's impressive as is, but when the model turned around I actually gasped. A black panther steals across the back becoming one with an equally menacing LV logo. It's a moment that fully changes the context of the entire jacket.

The yellow and green color story transforms from playful palette choice and into a political reference to the Pan-Africanist struggle and Black nation, which frequently used this color combination. Then the raver graphic reveals its indebtedness to the hip-hop wardrobe.

TRACKSUITS

Since we're on the subject of luxury-to-street crossovers and references to the Black cultural canon, we need to talk about tracksuits.

Abloh really honored the art of the tracksuit with this collection. From billowing '90s-era B-boy trackies to the more streamlined suits we see on UK grimers, it's all there. Yet, they're not reserved to their popular contexts. According to Louis Vuitton, there's nothing you can't do with a tracksuit.

FACE MASK & BACKLAVAS

While most designers this season have made it a point to look forward to the post-COVID days, there's one thing Virgil doesn't want us to leave behind: face coverings.

In this "new normal," face masks and balaclavas are part of a stylish wardrobe and LV SS22 presents us with many options to incorporate this safety precaution into our dressing, from suave to street.
by SARAH OSEI

Writing the Future: Basquiat and the Hip-Hop Generation

The post-graffiti moment in 1980s New York City marked the transition of street art from city walls and subway trains onto canvas and into the art world. Jean-Michel Basquiat (1960–1988) became the galvanizing, iconic frontrunner of this transformational and insurgent movement in contemporary American art, which resulted in an unprecedented fusion of creative energies that defied longstanding racial divisions. This exhibition features his works in painting, sculpture, drawing, video, music, and fashion, alongside works by his contemporaries—and sometimes collaborators—A-One, ERO, Fab 5 Freddy, Futura, Keith Haring, Kool Koor, LA2, Lady Pink, Lee Quiñones, Rammellzee, and Toxic. Throughout the 1980s, these artists fueled new directions in fine art, design, and music, driving the now-global popularity of hip-hop culture.

“Writing the Future: Basquiat and the Hip-Hop Generation” illuminates how this group’s subversive abstractions of both visual and verbal language—including neo-expressionism, freestyle sampling, and wildstyle lettering—rocketed their creative voices onto the main stages of international art and music. It is the first major exhibition to contextualize Basquiat’s work in relation to hip-hop and marks the first time his extensive, robust, and reflective portraiture of his Black and Latinx friends and fellow artists has been given prominence in scholarship on his oeuvre. Notable among those works is the much-revered painting Hollywood Africans, which lionizes Toxic and Rammellzee, the legendary artist/philosopher who is also represented with multiple works in “Writing the Future,” and with whom Basquiat created the prophetic, influential, and talismanic rap song “Beat Bop.”

Learn more about Basquiat, his peers, and New York’s post-graffiti era.

October 18, 2020–May 16, 2021
Ann and Graham Gund Gallery (Gallery LG31)