LEGO® ADIDAS ORIGINALS SUPERSTAR SHOE

Since September 2020, LEGO and adidas have delivered a roster of classic silhouettes reimagined with color palettes, branding and detailing inspired by the Danish company’s iconic building blocks. Recently, the two European institutions have unveiled another component to their partnership via an adidas Superstar LEGO Brick Set.

Although previously-seen adidas Originals have included colored blocks as accents, none have been able to boast construction made entirely out of toy bricks. The latest product to emerge out of the aforementioned alliance isn’t meant to be worn, but it features all of the “shell-toe’s” signature details. For starters, the set takes on the sneaker’s original “Cloud White/Core Black” colorway. Shimmering “Metallic Gold” branding on the lateral profile and tongue further nod to the model’s retail version. The iconic toe-cap is recreated, but not out of durable rubber. Laces, however, are transplanted from the made-to-wear shoe, delivering yet another touch of accuracy to the special edition release. Lastly, the U.S. 7.5-sized “shoe” arrives with a display stand and plaque, collectible shoe box and 17 additional LEGO elements to create a one-of-a-kind model. Mixing in bricks from outside sets also works.

Enjoy official images of LEGO’s adidas Superstar Brick Set here below, and find the collection available via adidas.com on July 1st.

For more experimental takes backed by the Three Stripes, check out all YEEZY release dates for 2021 and beyond. by Jovani Hernandez for sneakernews.

LIFELIKE DETAILS
Includes adidas Originals Superstar graphics, shell toe shape, trefoil logo and 3-Stripes – just like the real thing. It even comes with laces and a shoe box.

MAKE IT YOUR OWN
Comes with 17 extra LEGO® elements so you can decide to build the left or right shoe. Customize with your own LEGO bricks to make it truly yours.

SPARK CONVERSATIONS
Add this never-seen-before LEGO creation to your sneaker collection to get people talking. A true collectible with display stand and plaque.

EXCLUSIVE BUILDABLE SHOE FROM THE LEGO® SUPERSTAR COLLECTION.
In this never-seen-before LEGO® shoe, you can recreate the iconic Superstar sneaker from bespoke LEGO bricks to make a collectable display piece that's sure to spark conversations. Just like the real thing, this LEGO version includes the iconic adidas Originals Superstar trainer graphics, shell-toe shape, trefoil logo and 3-Stripes.

SPECIFICATIONS

  • Dimensions: 4.7" x 10.6" x 3.5"

  • Authentic adidas Superstar sneaker details

  • Lace closure

  • Display stand and plaque

  • Building instruction booklet includes the history of the shoe

  • Collectible shoe box packaging

  • Real shoe size: US 7.5

  • This set is designed for adults

  • Imported

  • Product color: White / Black

  • Product code: FZ8497

AIR YEEZY 1 PROTOTYPE SELLS FOR $1.8M

Kanye West’s Nike Air Yeezy 1 Prototype
Sells For $1.8 Million At Sotheby’s.

One of the most documented Yeezy sample sneakers in history has sold at a mind-blowing $1.8 million at Sotheby’s auction. Known in the sneaker community as the “Prototype”, this sneaker first came to light when Kanye West himself wore them during his live performance at the 2008 Grammy Awards; eyes were glued to Ye’s feet as he and Daft Punk collaborated on the show. It is considered to be the rarest Yeezy sneaker ever.

The Air Yeezy 1 “Prototype” was certainly not the beginning of Kanye West’s foray into footwear, as he collaborated regularly with Nike (on special colorways), A Bathing Ape, and Louis Vuitton before launch his first true signature shoe with Nike in 2009. But the Air Yeezy 1 was pivotal in Kanye’s development into a true industry competitor that just a decade later is competing with Michael Jordan in sales of lifestyle fashion sneakers. After the Air Yeezy 1 launched in summer 2009 to much fanfare, resell prices eclipsed $1,000 – a rarity during that era of sneakers. $1,000 is just one grain of sand in today’s massive sneaker resell industry, but at the time, it was unheard of. The sequel, the Air Yeezy 2, dropped in 2012, with the infamous “Red October” launching in early 2014. During that time gap, Kanye and Nike had a quiet yet dramatic split, leading to the birth of the YEEZY brand under adidas. Letting Kanye walk to its primary competitor stands as perhaps their most questionable decision of the modern era of the brand.

Before sneakers caught the attention of luxury auctions houses, the Prototype Yeezys were a regular fixture on eBay. These 1-of-1 Prototypes at one point were listed at $50,000 and later $75,000 by private sellers, which obviously pales in comparison to the $1.8 million it sold for at auction.

The buyer is RARES, which specializes in fractional ownership of collectible sneakers and other goods. Gerome Sapp, CEO & Co-Founder of RARES, commented: “We are thrilled to work with Sotheby’s on this acquisition. Our goal in purchasing such an iconic shoe – and a piece of history – is to increase accessibility and empower the communities that birthed sneaker culture with the tools to gain financial freedom through RARES. We look forward to working with Sotheby’s to continue to identify rare finds that will help elevate, preserve and uphold sneaker culture.” Those who are interested in owning a piece of the Air Yeezy 1 “Prototype” will eventually do so through the RARES platform.

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YEEZY FOAM RUNNER RED

Better late than never. The first-ever all-red adidas Yeezy shoe release is finally coming, and it’ll be in the form of one of the most provoking “sneakers” of the modern era. That would be the trending Yeezy Foam Runner, a shoe made of recycled algae and currently taking the footwear world by storm for its prehistoric look (as well as its many comparisons to Crocs). According to Yeezy Mafia, a release is  expected in October 2021 and is officially dubbed the “Vermilion”.

All-red has become a signature color-scheme of Kanye West after he introduced with his Air Yeezy 2, the swan song of his short-lived tenure with the Swoosh. Many expected the all-red look (commonly referred to as the “Red October” colorway) to establish itself on  a more mainstream model – possibly the Yeezy Boost 350 v2 or Yeezy 700, but there’s no better way to pair the audacity of the flooded hue with the Foam Runner Yeezys.

SOUTH PARK x ADIDAS CAMPUS 80's “TOWELIE”

adidas has been working with collaborators like Disney to bring Star Wars, Toy Story and other franchises to sneaker form for the past few years. Within the first four months of 2021, the German sportswear institution has revealed plans with The Simpsons and South Park, the latter lending the worrisome, but charming Towelie character for an adidas Campus 80s set to launch tomorrow, April 20th (420), in celebration of a beloved marijuana holiday.

When glancing at the collaborative pair from the sides, the “Chalk Purple/Footwear White”-covered proposition seems in-line with the two-tone adidas Originals styles to emerge in the last few weeks, but closer inspection reveals special detailing. For starters, the terrycloth-material that runs throughout the entire upper works in-tandem with the eye graphics embroidered onto the top of the tongue to nod to South Park’s genetically-engineered talking towel. The tongues’ undersides boast two of Towelie’s (not “Towlie”) catchphrases right above stash pockets big enough for nuggets of various kinds typically consumed on 04/20. Included keychains depict the sneaker’s inspiration in two states, which the eyes on the tongue also do when exposed to UV light.

4/20 is nearly here and adidas is more than ready to celebrate. Alongside the skunk-esque ZX 420, the Three Stripes is inviting South Park’s Towelie to spread the gospel of weed culture.

Rarely has there ever been a character so actively indulgent, using everything from marijuana to crystal meth. The anthropomorphic towel, which has made appearances throughout the TV series and subsequent video games, has toned it down a bit in recent years, however, as he’s presumed to only partake in Mary Jane and Mary Jane alone.

No better a guide for the mostly innocent adidas, Towelie is soon to transform from household essential to Campus 80, bringing along both his signature facial features and textures. Comparable to chenille at first glance, the towel-like material wraps most of the exterior, setting a baby blue base atop which the leather stripes and heel tab dress. Moreover, the tongue features his big, toony eyes, going from pure white to bloodshot depending on the lighting. Then, South Park branding meets the German sportswear label’s own at the insole.

Nike VP Resigns

Nike VP Resigns After Family Tie to Sneaker Reseller Uncovered.

Ann Hebert, a Nike employee of 25 years who most recently served as a VP overseeing its North America business, left the company on Monday, according to an internal email viewed by Complex.

“Ann Hebert, VP/GM, North America geography has decided to step down from Nike, effectively immediately,” the email reads. “We thank Ann for her more than 25 years with Nike and wish her well.”

Nike also put out a press release this afternoon publicly announcing the end of her tenure and confirmed the move in a statement to Complex.

“Ann Hebert made the decision to resign from Nike,” the brand said.

Hebert’s leaving Nike comes days after the publication of a Bloomberg piece focused on her son, a 19-year-old sneaker reseller named Joe. The piece mentions a credit card Joe used for his reselling business, West Coast Streetwear, that was registered in Ann’s name. The reseller insisted to the story’s author that his personal connection to a Nike exec not be written about in the piece and cut off communication after it was brought up.

Joe Hebert, reached via a third party, did not respond to a request for comment on this story.

Nike does not permit its employees to participate in sneaker reselling, and the practice of buying shoes at their retail price only to sell them at a higher price is still taboo to many collectors. A Nike spokesperson told Bloomberg that Ann had disclosed information about the business to her employer in 2018 and there was “no violation of company policy.”

The Bloomberg story sparked outrage online, where commenters questioned whether the younger Hebert was gaining unfair access to limited-edition sneakers with the help of his mother. Some brought up the six pairs of rare Nike Mags, which sell for over $12,000 each, that he said he’d randomly discovered in a storage unit in January 2020, speculating they were obtained through more nefarious means. One source claims that Joe would buy pairs in large quantities from Nike outlets using his mother’s discount and resell them later.

Ann Hebert’s purview at Nike included its SNKRS app, a destination for coveted product where shoes regularly sell out immediately, only to be resold on secondary markets. The brand spends a good amount of energy and money trying to protect the platform from bots that can help resellersbuy out stock faster than any human. Bloomberg’s piece on Joe Hebert’s business describes him using bots to compromise online launches, mentioning that he rang up $132,000 in one morning for a launch of Kanye West sneakers on the artist’s Yeezy Supply website. That same card, a corporate American Express, was registered in his mother’s name.

BYBRENDAN DUNNE

Writing the Future: Basquiat and the Hip-Hop Generation

The post-graffiti moment in 1980s New York City marked the transition of street art from city walls and subway trains onto canvas and into the art world. Jean-Michel Basquiat (1960–1988) became the galvanizing, iconic frontrunner of this transformational and insurgent movement in contemporary American art, which resulted in an unprecedented fusion of creative energies that defied longstanding racial divisions. This exhibition features his works in painting, sculpture, drawing, video, music, and fashion, alongside works by his contemporaries—and sometimes collaborators—A-One, ERO, Fab 5 Freddy, Futura, Keith Haring, Kool Koor, LA2, Lady Pink, Lee Quiñones, Rammellzee, and Toxic. Throughout the 1980s, these artists fueled new directions in fine art, design, and music, driving the now-global popularity of hip-hop culture.

“Writing the Future: Basquiat and the Hip-Hop Generation” illuminates how this group’s subversive abstractions of both visual and verbal language—including neo-expressionism, freestyle sampling, and wildstyle lettering—rocketed their creative voices onto the main stages of international art and music. It is the first major exhibition to contextualize Basquiat’s work in relation to hip-hop and marks the first time his extensive, robust, and reflective portraiture of his Black and Latinx friends and fellow artists has been given prominence in scholarship on his oeuvre. Notable among those works is the much-revered painting Hollywood Africans, which lionizes Toxic and Rammellzee, the legendary artist/philosopher who is also represented with multiple works in “Writing the Future,” and with whom Basquiat created the prophetic, influential, and talismanic rap song “Beat Bop.”

Learn more about Basquiat, his peers, and New York’s post-graffiti era.

October 18, 2020–May 16, 2021
Ann and Graham Gund Gallery (Gallery LG31)

KERBY JEAN-RAYMOND x REEBOK VP CREATIVE DIRECTION

Reebok Names Kerby Jean-Raymond/Pyer Moss
Vice President of Creative Direction

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The CFDA Award winner will also release in 2022 the first products of Reebok's Product With Purpose program.

Kerby Jean-Raymond is assuming greater responsibility at Reebok.

The New York City-based designer and founder of Pyer Moss has been named vice president, creative direction, for the sports brand. In this role, he will provide creative leadership and work closely with Reebok’s product, global marketing and development organizations to ensure consistency across all areas.

Jean-Raymond will also be at the forefront of the brand’s Product With Purpose program, which is part of its commitment to United Against Racism. The program will launch in 2021 and the first products by Jean-Raymond will release in 2022. In addition, he will serve on the Reebok senior leadership team and report to president Matt O’Toole. O’Toole confirmed that the Reebok by Pyer Moss collection will continue as planned.

“I am thrilled to be evolving my role at Reebok and joining the leadership team as the head of creative direction,” Jean-Raymond said in a statement. “I welcome this opportunity to help invigorate the brand with new ideas, while also focusing on instilling a sense of social purpose into our work.”

In an Instagram post on Wednesday, Jean-Raymond expanded on the statement: “I started working with Reebok in 2017 after meeting Damion Presson [Reebok’s director of entertainment marketing]. I was brought in to support the launch of a shoe at the time called the ‘DMX Fusion.’ We made our own version called the Experiment 1 and were asked to make some apparel to support one of their retail partners at a mass market price point. I’m not really too good at following rules, so I didn’t pretend to try.

“Instead we made a series of collections we believed in, incorporated our collaboration into our runways and created content that spoke to what we were already doing at Pyer Moss. Campaign 1, Seven Mothers (Campaign 2) and a series of videos called ‘Imma Ball Anyway’ were some of my favorites. Many of these projects were a result of us seeing how far we could go before someone yelled ‘uncle.’

“No one did, and I was grateful.

“Today, that collaboration will evolve. Pyer Moss is not just a partner of Reebok, but I am now the creative director, globally. Or technically…vice president, creative direction. To my Reebok fam, there’s a lot of work to do. Can our mind-sets collectively evolve to serve the future? Are we inclusive enough? Are we bold enough? Are we challenging tradition enough? Are we ready to unlearn? It’s going to be difficult. I’m ready though.”

Reebok and Jean-Raymond have worked together for four years on the Reebok by Pyer Moss collection, a popular footwear line. Their work together led to Jean-Raymond winning Footwear News’ 2018 Collaboration of the Year Award and the 2019 FNAA Person of the Year Award. He took home the CFDA Award for Menswear Designer of the Year and Designer of the Year from Harlem Fashion Row this year.

Last year, he was named artistic director of Reebok Studies, a new division created to foster emerging talent, and this year launched with Kering, Your Friends in New York, a fashion, culture, wellness and philanthropy platform to foster the next generation of innovators.

“Kerby is a fashion visionary with a bold approach who has established himself as a leader and a passionate activist,” O’Toole said. “We are incredibly excited about the impact he will have on Reebok from a design and brand purpose perspective and for him to bring his unique voice and direction to the Reebok brand more broadly. This is certainly a big opportunity for both Reebok and for Kerby — he understands the value of our rich heritage and iconic silhouettes and how he can build on that and take Reebok in an exciting and evolved direction.”

Jean-Raymond had been transparent about the beginnings of the Reebok relationship. The designer was ready to step away from Pyer Moss, but stayed in order to partner with the sports brand, which helped the designer keep his brand. He said at the WWD CEO Summit in November 2019 that Presson said he could offer “at least 10 times the amount” what another brand was offering Jean-Raymond to join the Reebok team.

Jean-Raymond said he believes the future of fashion is experiential, which calls to question what his output for Reebok will be in this new role. This year, he launched a new mentorship platform, announced a film and directed two music videos. But he hasn’t forgotten about the product. The first in-house Pyer Moss sneaker, Sculpt, launches on Oct. 3, retailing for $595. The silhouette bears resemblance to the Reebok Experiment 4 Fury Trail by Pyer Moss with an exaggerated sole similar to the Pyer Moss x Reebok DMX Experiment 1 sneaker.

The first Reebok by Pyer Moss collection debuted at Spring Studios in February 2018 with the “American, Also” collection. Jean-Raymond would show two more Reebok by Pyer Moss collections under the “American, Also” moniker at Weeksville in Brownsville, Brooklyn, and Kings Theatre in Flatbush, Brooklyn.

They released more sneakers as well, the Daytona DMX Experiment, Mobius Experiment and the Fury Trail styles. He said in November 2019 that his footwear, in particular “sells out within the first four minutes.”

Last year, he established Reebok Studies, which he described as “a division where I can sign talent, give them collaboration deals, give them sponsorship deals so that they can have money to grow their companies.”

And this year, Jean-Raymond remained very busy, directing music videos for rappers Wale and Joey Bada$$, and also through philanthropic work, donating in March $50,000 to support minority and female-owned independent businesses impacted by COVID-19 through Your Friends in New York. He also asked for mail-in donations of masks and gloves and contributed $5,000 for supplies.

He also announced he will premiere a film, “American, Also,” chronicling his runway shows and the Black experience in America. The project that was filmed over two years was slated to premiere this year at drive-in theaters and to bring the community and New York City together and engage with fans, but the date and format have not been confirmed yet.

“It’s always been our mission to show the amount of thinking and laboring that goes behind putting together a collection — we’ve been slowing down the speed of how much we produce and improving the quality of what we produce throughout the years,” Jean-Raymond said in a statement announcing the film. “This film aims to show the love and care our entire company puts into every single moment we create and will show that we appreciate fashion as an art form and communication tool.”

By Obi Anyanwu on September 30, 2020

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Why Is Fashion So Obsessed with Jean-Michel Basquiat?

An interview with Micaiah Carter, who photographed Coach's latest collaboration with the artist.

Why is the fashion world still so fixated on Jean-Michel Basquiat? How does an artist, 30-some years after his death, continue to be such a constant collaborator? In part, it is the fact that his estate has long been partnered with the licensing agent Artestar, thereby ensuring that his signature and imagery would appear on Off-White T-shirts, New Era caps, and even Peloton uniforms for years to come.

But Basquiat also had a certain way of moving and was a great beauty, which made him the perfect runway model for, say, the spring 1987 Comme des Garçons show. He also combined his passion with a cool remove, posing for the New York Times Magazine in 1985 wearing a paint-streaked Armani power suit, barefoot. It’s the kind of impertinent dance with consumer culture that artists today are usually too self-righteous to undertake.

Most recently, Basquiat’s work appears in the fall 2020 collection of Coach, which today debuts its collection of bags, T-shirts, and sweatshirts printed with the artist’s imagery, like the crown and dinosaur. The campaign was shot by Micaiah Carter and features Michael B. Jordan, Jennifer Lopez, Paloma Elsesser, Jon Batiste, and Basquiat’s niece Jessica Kelly, to name a few. In addition to the images, Coach will release a number of videos on social media in which subjects meditate on subjects like the family and art.

Basquiat, Carter says, “was a springboard for people to open up conversations that I think people weren’t having as often. And it resonated with the people that we shot, who are all people in the community who are all advocating for equal rights, not just for people of color but for all types of people.”

But Carter, who is 25, also points to something else: “A lot of it was New York.” He recalled arriving in the city from his small California hometown and thinking, “You have no choice but to adapt into your own ways” of approaching style. “Given his success, he still really made it his own with these designers and with these luxury brands to make it come back down to earth and really put his mark on everything. I think today people are inspired by that bravery that he had, to just do what he wanted to do.”

Carter’s signature is combining an easy sense of intimacy with a warm majesty. (It was firing on all cylinders in his photographs of Pharrell, posing in a Moncler gown, for the November 2019 issue of GQ as well.) Carter captured his subjects with an attitude that echoes the easy, stylish cool he attributes to Basquiat—Elsesser grinning, Jordan in a perfect crouch, and Lopez with her hoodie yanked over her head and nails painted electric blue. “They’re all artists,” he says, “and so there’s this respect—this level of collaboration.”

The other secret, Carter notes, is the perfect playlist. “I think that sets the mood.” Erykah Badu, City Girls, Playboi Carti, James Brown, and gospel music are all standards for him.

J. Lo brought her own playlist, however, and, Carter says, “I was able to vibe with that and really connect with her.” On the playlist? “Remixes of her own songs. I mean, that really gets you in the zone.” Barefoot Basquiat would approve. BY RACHEL TASHJIAN

YOUNG RIOT: POOLSIDE

YOUNG RIOT: POOLSIDE

LET US REFLECT AND REJOICE THE TRIUMPH OF SPIRIT. THE RESILIENCE OF BLACKNESS THAT TRANSMUTE OPPRESSION AND THEREBY WITHIN PLIGHT FINDS SOLACE. WHAT IS IT LIKE TO WRITE A LOVE LETTER TO YOUR CHILDHOOD HOME AND, IN DOING SO, YOURSELF TO FIND (READ:CONFRONT), SELF, A BLACK MAN MUST WADE THROUGH WATER, HOWEVER METAPHORICAL IN NATURE.

HERE, DAVID HOCKNEY’S PORTRAIT OF AN ARTIST SERVES AS A VEHICLE TO EXPLORE THE RELATIONSHIP BETWEEN AN IDEALIZED SENSE OF SUCCESS AND A MAN WHO, IN THE FACE OF VIOLENCE AND TRAGEDY, CONSTRUCTED A BEAUTIFUL PATH TO FREEDOM. LURKING A LAYER BELOW, THIS EXAMINATION PRESENTS US WITH THE REALITY OF OUR PAST CIRCUMSTANCES. THAT IS A MAN TRAPPED IN A PRISON; HE WAS NEVER MEANT TO ESCPAE. HIS VOICE IS THE ONLY MEANS WITH WHICH HE MIGHT ESCAPE THE BOX. POOLSIDE. 

WEB: www.patheticpixels.com

 

CRAV* CHANGE REQUIRES ACCEPTING VIEWS

CHANGE REQUIRES ACCEPTING VIEWS.

We are Boston based and aiming to build a better future for today’s society by challenging each and every persons view and learning how to coincide through the differences. EXPERIENCE THE REVOLUTION!

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rev•o•lu•ton OVERSIZED COLLECTION

rev•o•lu•ton OVERSIZED COLLECTION

BIGGIE SMALLS x FILA

BIGGIE SMALLS CELEBRATES 48th BIRTHDAY
WITH A FILA COLLABORATION CAPSULE FOR SUMMER.

Thanks to his laundry list of iconic rap tunes, Notorious B.I.G. will be forever remembered as one of the greatest hip hop artists to ever walk the planet. And in celebration of the 25th anniversary of his legendary “Ready to Die” album, as well as what would have been his 48th birthday this Thursday, FILA has decided to create a commemorative capsule in his honor. Alongside a full apparel range is a duo of special Biggie x FILA Tennis 88 footwear renditions. Serving as updated version to the Original Tennis model that sparked popularity for the Sportswear brand amongst the Brooklyn community in the 90s, the kicks pay tribute to the late rapper through dual branded tongues that print out the number 25 just beneath its crown insignias, the famous baby photo from the album art translated onto the footbeds, as well as the words “Ready To Die” embroidered on the heel counter. Two colorways including a cream/red as well as a white/aqua blue are set to release first on FILA.com on May 19th, and at additional retailers on May 21st for $90 a piece.
VIA SNAKER NEWS BY ELLIOT SANTIAGO